Roberto Occhipinti – 2000 Modica Music
Produced and arranged by Roberto Occhipinti
Recorded at Wellesley Sounds, Toronto.
May 98 – October 99
Engineers: Jeff Mc Cullough & Steve Mahjor.
On September 1, 2001, I had the pleasure of conversing with bass player Roberto Occhipinti about his latest recording, Trinacria. Roberto was performing with Jane Bunnett and the Spirits of Havana at the West Kortright Center for the Arts in East Meredith, New York.
Roberto, who is of Sicilian ancestry, explained the symbolism behind the unusual title of his recording. “Trinacria is the ancient symbol for Sicily. The classical symbol for the island was three running legs (representing the three corners of Sicily) with the head of Medusa at its center.”
The concept for Trinacria is Latin jazz that pays homage to its past, present and future. Featured are compositions by jazz legends Thelonius Monk and Herbie Hancock as well as original material by Roberto and Cuban pianist Hilario Durán. The personnel are a diverse combination of veterans and up and coming young turks: Hilario Durán (piano), Horacio “El Negro” Hernández (drums) , Yosvany Terry (tenor saxophone), Dafnis Prieto (drums), Phil Dwyer (tenor saxophone), Hugh Marsh (violin), Juan Sánchez Oliva (percussion) and Mario Del Monte (percussion on track 2).
Roberto, a resident of Toronto, Canada has been an important member of Jane Bunnett’s Spirits of Havana for five years. He has also recorded with Nelly Furtado, Array Music, John Cody, Esprit Quartet Orchestra, various salsa bands and Toronto’s #1 soul band, Soul Stew. Roberto mentioned in passing that he began his career playing with R & B and funk bands.
Roberto’s band demonstrates its polish and versatility with tunes such as “One Finger Snap” and Hilario Durán’s beautiful arrangement of “Waiting for the Float.” Pay particular attention to the stunning violin solo on “Maiden Voyage,” a jazz classic. I also enjoyed the contrasting styles of saxophonists Phil Dwyer (tracks 1-6) and Yosvany Terry (tracks 6-12). Dwyer’s contemporary approach contrasts nicely with Terry’s progressive style.
I enjoyed watching the mentor/student relationship between Roberto and the incredibly gifted 17-year old Cuban pianist David Virelles on stage. The musical interaction (individually and collectively) was very interesting. After the performance, Roberto humorously explained that he was showing the spirited Virelles the ropes and “keeping him in line.”
Roberto says his next project will be with a larger band – more orchestral. He mentioned the influence (and sound) of Gil Evans and his orchestra as the foundation for his concept. Evans is best known for his historic collaborations with Miles Davis, such as “Sketches of Spain” and “Porgy and Bess.” I highly recommend Trinacria and look forward to Roberto Occhipinti’s future musical endeavors. – Tomas Peña – www.latinjazznet.comtop
- El Negro
- One Finger Snap
- Maiden Voyage
- El Negro Part 2
- Well You Needn’t
- Waiting For the Float
- Nueva Generacion
- Roberto Occhipinti – Bass on all tracks
- Hilario Durán – Piano on all tracks
- Horacio “El Negro” Hernández – Drums on tracks 1,2,3,4
- Yosvany Terry – Alto sax on 5; tenor sax on 6,7,8
- Dafnis Prieto – Drums on tracks 5,6,7,8
- Phil Dwyer – Soprano sax on 1,4; tenor sax on 2; Rhodes piano on 3
- Hugh Marsh – Violin on 3
- Juan Sánchez Oliva – Percussion on 5,6,7,8
- Mario Del Monte – Percussion on 2,3
Produced and arranged by Roberto Occhipinti for Modica Music Productions.